Sharing the stories about the making of StellrScope, CSIRO and William Farrer – TEDxCanberra
Brilliant event – excellent team brought together by Stephen Collins. Thanks TEDx – Wonderful experience.
The displayed images contain a ‘StellrScope’ watermark. This does not appear on the original artwork at the CSIRO Discovery Centre.
Questacon – Connecting StellrScope in Gallery 5 with QLab
A show case of wheat plants from CSIRO in QLab – a chance to get up close with wheat. The microscope bench is a great place to see the wheatears and grains on screen.
Plant Industry promotes profitable and sustainable agrifood, fibre and horticultural industries, developing new plant products and improving how plants use natural resources through world-leading research.
Video of the StellrLumé Domes at Questacon, StellrScope Exhibition.
The StellrLumé Domes installation, StellrScope, uses Spatial Augmented Reality (SAR) techniques to bring computer graphics into the human-scale physical environment. In order to facilitate interaction between the graphics and visitors, overhead depth cameras are used that sense red, green and blue as well as distance for every pixel. Custom software then extracts the human form, such as hands, over the top of the projection surface. Elements of the digital content are selected based on where ‘virtual shadows’ land. The audience must become active participants in order to experience the entire narrative.
The StellrLumé Domes are part of the ‘StellrScope’ Centenary of Canberra Science Art Commission and celebrate the story of wheat innovation over 100 years. The focus of these research was undertaken at CSIRO who were the Science Art Commission host, resident at the Future Food Flagship and Computational Informatics.
Eleanor Gates-Stuart – Artist & Producer
Matt Adcock – Software Engineer
David Feng – Software Engineer
David Lovell – Transformational Bioinformatics Leader
Sherry Mayo – Research Scientist
Chuong Nguyen – Quantative Imaging
StellrScope Music Composition by Marlene Radice
Excerpts, ‘A Nation is Built’ 1938 (Frank Hurley, Australia) NFSA title ID 7586. Courtesy of the National Film & Sound Archive of Australia
William Farrer Archives, Courtesy of the National Library of Australia and the William Farrer Trust
© Eleanor Gates-Stuart
StellrScope Artist, Eleanor Gates-Stuart is delighted to work with Local Composer and Musician, Marlen Radice, to bring Marlene’s stunning composition to the exhibition at Questacon for the Sound of ‘StellrScope’. This wonderful collaboration is made possible by CSIRO (Computational Informatics CCI), in particular, Dr David Lovell who inspired Marlene with suggestions for sound content and structure. StellrScope video files were happily provided to Marlene for background material, here is what Marlen has to say about her composition:
About the Piece:
In creating a piece of music which would serve as a backdrop to the StellrScope exhibition, I sought write and produce music which was as true as possible to the concepts which underpin the artworks.
I began the piece taking heed of the notion of the visceral experience of wheat within its natural environment by experimenting with organic sounds. This presented a chronology of the means by which wheat is processed and harvested, from the field to the mill, to factory.
These natural sounds were then edited and overlaid upon one another to produce a cacophonic sound-scape which sought to emulate the dual concepts of wheat development, in its cyclic and expansive means of proliferation throughout a century.
The piece uses a palindromic structure based around a cyclic use of musical cells. These cells are made up of 1-3 bar phrases which are built upon and repeated throughout the piece. The pitches used in these cells are based around the wheat nucleotides of Cytosine, Adenine and Guanine, with the first letter of each of these nucleotides, A, C and G, used in rhythms based around the wheat genome sequence.
I sought to use a combination of alleatoric musical ideas as well as more intuitive ones in order to further highlight the amorphous binaries of traditional and electronic music, used in tandem with the binary relationship concurrent with contemporary society’s relationship with plants and food production.
Time, change and cyclic rotation were key concepts I sought to develop within this piece of music. A century of change, growth, and renewal, a fundamental return, the return of familiar sounds in repetition, a cycle of sound mirroring a cycle inherent within nature.
Short sound clip preview
New StellrScope Banner design – three designs: ‘Oasis’, ‘Weevil’, & ‘WheatEar’
Which is your favourite?
StellrScope @ Questacon
Celebrating a Century of Wheat Innovation in Australia from the days of William Farrer to CSIRO Research today
5 August – 1 September, 2013
Open daily between 9.00 am and 5.00 pm
Venue: Gallery 5, Questacon – The National Science and Technology Centre
King Edward Terrace Canberra, ACT 2604 Australia
Admission to StellrScope at Questacon is free (conditions apply, see www.questacon.edu.au for information
Titanium Weevil produced in response to researching wheat grain pest and information from the Australian National Insect Collection at CSIRO.
Given the insect body structure and capacity to survive in huge silo’s of grain, the opportunity to use titanium was an ideal material, especially to investigate CSIRO’s 3D titanium adaptive manufacturing.
The insects were achieved by advanced scanning techniques and Micro CT imaging with Dr Chuong Nguyen and Dr Sherry Mayo and adaption in MAYA by Eleanor Gates-Stuart.
Expertise on weevil insects by Dr Rolf Oberprieler and Dr Eric Hines, CSIRO.
Bugs on Exhibition @ Craft ACT: Craft and Design Centre Gallery: Embracing Innovation Volume 3
Other posts on Titanium Insects:
‘Beautiful Mutant’ is the first of the virtual crop series being developed as an artwork for StellrScope. These 3D plants as based on ancestral genes and the experimental cross-breeding of wheat.
Image contains a StellrScope Watermark. High Resolution image is available – contact
A moment in time…….. Intriguing and fascinating world of early development, idylic and mysterious.
Inspired by seeing wheat grain being processed in the mill through to commercial baking. Amazing experience of Australian food industry (milling to baking) production on a huge scale and investment in quality.
George Weston Technologies
Sketch and Unfinished / Rough Cut Sequence for ‘PlantSeedMan’ Installation
Video collage based on future food and wheat as part of the StellrScope Science Art Project.
Raw sound files from wheat footage filmed in location @ CSIRO – https://vimeo.com/64972299
This image, shown as a 2D image representation of a wheatear, is in fact, composed from a CT Scan and rendered through 3D software, Drishti and Maya.
The 3D images are to be used in artworks for the exhibition at Questacon – Maya version shown on eleanorgatestuart
Original CT Scan by Dr Sherry Mayo (CSIRO)
Giant Wheat on Questacon, ‘Oasis’ by Eleanor Gates-Stuart as part of the Enlighten 2013 Festival in Canberra. The architectural projections were screened by Electric Canvas and 5 artists were selected to produce artwork for different buildings across the Parliamentary Triangle.
Photograph: Questacon with ‘Oasis’ Artwork by Eleanor Gates-Stuart
This is my first post of 2013 – the Centenary of Canberra Year. Having recently returned to view William Farrer Diaries at the National Library of Australia, I felt inspired to create this image dedicated to William Farrer.
Last year, I remember being in the manuscipts room at the NLA and feeling overwhelmed with all the artifacts at hand, yet very excitied and now back on track to see where this journey takes the research.
I found the carbon paper in his diary intriguing, a single piece of paper that holds so much information, a layering of sentence upon sentence .. words .. more words. It resonated with the way I produce much of my work, embedding layers and layers of information as a foundation and structure.
Unfortunately, this image does not give you the feeling of handling the book and the incredible sound of the crisp delicate paper.. something that has so much history and with context to Australia’s wheat legacy.
I hope to include more of William Farrer in my exhibition in August – the influence is already there.
Image celebrates the legacy of wheat experimentalist William Farrer and the innovative contribution of the Food Futures Flagship / Plant Industry of CSIRO.
This image, ‘Farrer Variety’ shows grain grown to plant through the pages of William Farrer’s notes. The wheat is a 3D model and modern rendering of a new strain of wheat… linking a 100 years of excellence in cross-breeding and wheat quality.
William Farrer’s Letters – National Library of Australia
3D Seed Scans – Dr Chuong Nguyen, CSIRO
3D Modelling – Eleanor Gates-Stuart
Images relate to pest in wheat grain, in particular the Wheat Weevil – Sitophilus Granarius.
Above video, Using the CT scanner at CSIRO to capture detailed images of the insect.
The short video sequence uses the individual image files and recomposed into this artistic render in 3D space.
Insect from the Australian National Insect Collection ANIC
CT Scan by Dr Fredrick Ford
3D Scanning by Dr Chuong Nguyen
Wheat samples for CT scanning.
First CT scan test completed (low-res version). More testing to follow soon.
‘Wheat Scan I’ is a coloured version of the grey scale scan.
CT Scan kindly produced by Dr Fredrick Ford.
Images show StellrScope watermark – high-res images are availbale.
Animated CT sections:
This video relates to a CT scan of wheat and shows the sections scanned throughout the wheat.
The strange world of ‘WheatScape’……and the ‘Wild Ancestors’
Mock-up stage and concept development towards new 3D imageworks
‘Visionary’ dedicated to William Farrer
Image references William Farrer’s Field Notes (National Library of Australia)
Grains … A closer view – resistant starch
Note: Embedded grain scan provided by Steve Jobling (CSIRO)
Compositional Extract – Blend I & II…….. a mixture of relative data and balanced ingredients