The Wheat Weevils are enjoying being shown to various people and exhibitions. They have been overseas and shown as part of CSIRO’s wonderful technology.
Thank you to everyone who has been involved – thanks Lab 22
StellrScope Filmaker, Emily Hungerford, on set at the StellrScope Exhibition filming the installation with the team.
Film maker, Emily Hungerford’s film about the making of ‘StellrScope’. A Science Art commission awarded to artist, Eleanor Gates-Stuart, by the Centenary of Canberra, ACT Chief Minister’s Office and supported by the Australian Federal Government.
Here is Emily’s film – interviewing StellrScope Artist, Eleanor Gates-Stuart
Great job Emily !!
StellrScope Touring Exhibition Booklet Guide
Provides further information on the StellrScope Exhibition and relating works as part of the CSIRO Residency and the Centenary of Canberra Science Art Commission.
For more information, contact email: email@example.com
To view online:
Hot Seeds Artworks via ISSUU
Part of the Science Art Commission (Centenary of Canberra) and CSIRO Residency
Click on the image below to view the publication
Questacon – Connecting StellrScope in Gallery 5 with QLab
A show case of wheat plants from CSIRO in QLab – a chance to get up close with wheat. The microscope bench is a great place to see the wheatears and grains on screen.
Plant Industry promotes profitable and sustainable agrifood, fibre and horticultural industries, developing new plant products and improving how plants use natural resources through world-leading research.
Video of the StellrLumé Domes at Questacon, StellrScope Exhibition.
The StellrLumé Domes installation, StellrScope, uses Spatial Augmented Reality (SAR) techniques to bring computer graphics into the human-scale physical environment. In order to facilitate interaction between the graphics and visitors, overhead depth cameras are used that sense red, green and blue as well as distance for every pixel. Custom software then extracts the human form, such as hands, over the top of the projection surface. Elements of the digital content are selected based on where ‘virtual shadows’ land. The audience must become active participants in order to experience the entire narrative.
The StellrLumé Domes are part of the ‘StellrScope’ Centenary of Canberra Science Art Commission and celebrate the story of wheat innovation over 100 years. The focus of these research was undertaken at CSIRO who were the Science Art Commission host, resident at the Future Food Flagship and Computational Informatics.
Eleanor Gates-Stuart – Artist & Producer
Matt Adcock – Software Engineer
David Feng – Software Engineer
David Lovell – Transformational Bioinformatics Leader
Sherry Mayo – Research Scientist
Chuong Nguyen – Quantative Imaging
StellrScope Music Composition by Marlene Radice
Excerpts, ‘A Nation is Built’ 1938 (Frank Hurley, Australia) NFSA title ID 7586. Courtesy of the National Film & Sound Archive of Australia
William Farrer Archives, Courtesy of the National Library of Australia and the William Farrer Trust
© Eleanor Gates-Stuart
StellrLume Hemispherical Domes are the Centenary of Canberra Science Art Commission works as part of the StellrScope Exhibition at Questacon
More Information: http://vimeo.com/eleanorgatestuart/stellrscopestellrlumedomes
StellrScope: Swirling Art and Science by Louise Maher (666 Filed & Online Reporter
‘Wheat Breeder a Conduit for Enlighten Times’ by Sally Pryor, Arts Editor
StellrScope Artist, Eleanor Gates-Stuart is delighted to work with Local Composer and Musician, Marlen Radice, to bring Marlene’s stunning composition to the exhibition at Questacon for the Sound of ‘StellrScope’. This wonderful collaboration is made possible by CSIRO (Computational Informatics CCI), in particular, Dr David Lovell who inspired Marlene with suggestions for sound content and structure. StellrScope video files were happily provided to Marlene for background material, here is what Marlen has to say about her composition:
About the Piece:
In creating a piece of music which would serve as a backdrop to the StellrScope exhibition, I sought write and produce music which was as true as possible to the concepts which underpin the artworks.
I began the piece taking heed of the notion of the visceral experience of wheat within its natural environment by experimenting with organic sounds. This presented a chronology of the means by which wheat is processed and harvested, from the field to the mill, to factory.
These natural sounds were then edited and overlaid upon one another to produce a cacophonic sound-scape which sought to emulate the dual concepts of wheat development, in its cyclic and expansive means of proliferation throughout a century.
The piece uses a palindromic structure based around a cyclic use of musical cells. These cells are made up of 1-3 bar phrases which are built upon and repeated throughout the piece. The pitches used in these cells are based around the wheat nucleotides of Cytosine, Adenine and Guanine, with the first letter of each of these nucleotides, A, C and G, used in rhythms based around the wheat genome sequence.
I sought to use a combination of alleatoric musical ideas as well as more intuitive ones in order to further highlight the amorphous binaries of traditional and electronic music, used in tandem with the binary relationship concurrent with contemporary society’s relationship with plants and food production.
Time, change and cyclic rotation were key concepts I sought to develop within this piece of music. A century of change, growth, and renewal, a fundamental return, the return of familiar sounds in repetition, a cycle of sound mirroring a cycle inherent within nature.
Short sound clip preview
One of Five Slices – Human Size Bread Man
Installation artwork based on air holes & textures research in baking processes for bread. ‘Slice 1’ is part of fives slices that create the installation and are full life size cast pieces. Originally, the work (as bread dough) was to be baked as part of the Human Energy Loaf, although this method is more suited to exhibition purposes.
‘Fives Slices – BreadMan’ will be shown at ‘Hot Seeds’ at the Discovery Centre, CSIRO in August and part of the StellrScope project – Details
Hot Seeds: http://www.csiro.au/Portals/Education/Programs/Discovery-Centre/Whats-on/Hot-Seeds.aspx
6 August 2013 – 15 September 2013
CSIRO Discovery Centre
North Science Road
Acton ACT 2601
Please note : Image is shown with a watermark
The Centre for Grain Food Innovation
New StellrScope Banner design – three designs: ‘Oasis’, ‘Weevil’, & ‘WheatEar’
Which is your favourite?
StellrScope @ Questacon
Celebrating a Century of Wheat Innovation in Australia from the days of William Farrer to CSIRO Research today
5 August – 1 September, 2013
Open daily between 9.00 am and 5.00 pm
Venue: Gallery 5, Questacon – The National Science and Technology Centre
King Edward Terrace Canberra, ACT 2604 Australia
Admission to StellrScope at Questacon is free (conditions apply, see www.questacon.edu.au for information
Sneak Peek of the StellrScope Exhibition cover and inside page. Cover is a 4 page fold out revealing the inside image behing the cover fold when opened. Cover Image, ‘Oasis’ by Eleanor Gates-Stuart. Inside Photograph, ‘Spikes’ by Dr Megan Hemming, CSIRO.
Eleanor Gates-Stuart © 2013
Design and Layout by Eleanor Gates-Stuart © 2013
Published by CSIRO
Food Futures Flagship & Computational Informatics
Printed in Australia
Titanium Weevil produced in response to researching wheat grain pest and information from the Australian National Insect Collection at CSIRO.
Given the insect body structure and capacity to survive in huge silo’s of grain, the opportunity to use titanium was an ideal material, especially to investigate CSIRO’s 3D titanium adaptive manufacturing.
The insects were achieved by advanced scanning techniques and Micro CT imaging with Dr Chuong Nguyen and Dr Sherry Mayo and adaption in MAYA by Eleanor Gates-Stuart.
Expertise on weevil insects by Dr Rolf Oberprieler and Dr Eric Hines, CSIRO.
Bugs on Exhibition @ Craft ACT: Craft and Design Centre Gallery: Embracing Innovation Volume 3
Other posts on Titanium Insects:
‘Beautiful Mutant’ is the first of the virtual crop series being developed as an artwork for StellrScope. These 3D plants as based on ancestral genes and the experimental cross-breeding of wheat.
Image contains a StellrScope Watermark. High Resolution image is available – contact
A moment in time…….. Intriguing and fascinating world of early development, idylic and mysterious.
Inspired by seeing wheat grain being processed in the mill through to commercial baking. Amazing experience of Australian food industry (milling to baking) production on a huge scale and investment in quality.
George Weston Technologies
Sketch and Unfinished / Rough Cut Sequence for ‘PlantSeedMan’ Installation
Video collage based on future food and wheat as part of the StellrScope Science Art Project.
Raw sound files from wheat footage filmed in location @ CSIRO – https://vimeo.com/64972299
Massive and MAGICal – ‘MAGICal Wheat’ by Eleanor Gates-Stuart in collaboration with Dr Sherry Mayo, CSIRO.
On-going StellrScope research on wheat structures and visualising the wheatear. Sherry produced a 3D micro-CT scan of a section of wheat and Drishti to render the data. MAGICal A is merged with the movie file – both image files are connected to 3D spatial data of wheat, its DNA and growth.
This movie file is a preview to the forthcoming, CSIRO informed science art works StellrScope at Questacon in August and at the CSIRO Discovery Centre.
Giant Wheat on Questacon, ‘Oasis’ by Eleanor Gates-Stuart as part of the Enlighten 2013 Festival in Canberra. The architectural projections were screened by Electric Canvas and 5 artists were selected to produce artwork for different buildings across the Parliamentary Triangle.
Photograph: Questacon with ‘Oasis’ Artwork by Eleanor Gates-Stuart
Inspired by the research at CSIRO relating to plant genetics and molecular biology. In particular, Dr Megan Hemming in her focus on the development and yield in cereals.
Megan shared her microscope images of the main shoot wheat apex and I have combined these with photographs of grain.
Hemming et al, Identification of High Temperature-Responsive Genes in Cereals. 2012
Image celebrates the legacy of wheat experimentalist William Farrer and the innovative contribution of the Food Futures Flagship / Plant Industry of CSIRO.
This image, ‘Farrer Variety’ shows grain grown to plant through the pages of William Farrer’s notes. The wheat is a 3D model and modern rendering of a new strain of wheat… linking a 100 years of excellence in cross-breeding and wheat quality.
William Farrer’s Letters – National Library of Australia
3D Seed Scans – Dr Chuong Nguyen, CSIRO
3D Modelling – Eleanor Gates-Stuart
Working with Dr Mark Talbot and Dr Chuong Nguyen in the microscope laboratory on wheatear samples. The samples were provide by Dr Megan Hemming and relate to her recent research.
Zeiss EVOLS15 Scanning Electron Microscope (SEM)
WheatEar images created as part of on-going 3D scanning process to recreate Wheat Crop models. ‘Wheatear3y’ is a reconstructed composition of plant structures to provide a sense of internal / external structure and beauty of the wheat plant.
Here are a series of three structures illustrating the surreal plant structures as developed for StellrScope Collection.
The three ‘Wheatear’ images create a stunning large scale installation / projection piece as in the uncanny rescaling of nature
Reference: Original wheat scan by Dr Chuong Nguyen.
Recent images are focused on 3D Plant Plant Analysis research at the Australian Plant Phenomics Facility, the High Resolution Plant Phenomics Centre at CSIRO.
StellrScope is exploring this research as part of the extended wheat innovation story and extending this big data into 4D exploration of image and animated visualisation.
These images are concept sketches adapted from wheat data provided by Jianming Guo and Helen Daily and are part of the research with Xavier Sirault and Chuong Nguyen.
More information: HRPPC Publications
“It has been long suggested to me that I should write a paper giving the history and progress of the experimental work I have been engaged upon for the last ten years in improving wheats for Australia, and especially for the climate and conditions of our dry interior; but in looking into the subject, I find my notes have been kept so unsystematically and that so much has been forgotten which was of principal interest at some stage of the work, that it would be exceedingly difficult to write a paper on that subject which would be satisfactory to myself or interesting to others. I think it better, therefore, to make an effort to deal in this paper with the details of the work itself. Such a subject, if justice where done to it, would be likely to furnish suggestive information to others who might wish to take in hand work of a simimilar character, either with cereals or with some other domesticated plants”.
W. Farrer. ‘The Making and Improving of Wheats for Australian Conditions’,* March 1898. Agricultural Gazette of N. S. Wales.
*A paper read before the Australian Association for the Advancement of Science, 10 January, 1898.
Read more about William Farrer: Link: William Farrer, Australian Dictionary of Biography